It's visual narrative, not film
An evening at Manchester’s Cornerhouse recently brought to mind a post-modern question. What constitutes a film?
The obvious answer, of course, is filmed footage in either digital or celluloid form. Yet for many people the definition would probably be more focused on narrative. That is, after all, the most prominent type of ‘film’, and for most people the idea of watching anything else- for example the experimental work of Jeff Keen- would be rather obscure (and, in the case of said practitioner, at times quite terrifying).
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